Director: M. Night Shyamalan
Lady in the Water director M. Night Shyamalan puts PG-13 suspense on pause to tell this grim apocalyptic tale about a family fleeing a natural disaster that poses a grave threat to the whole of humanity. Philadelphia high-school science teacher Elliot Moore (Mark Wahlberg) is discussing the disappearance of the bees with his students when the staff is summoned to the theater and briefed about a mysterious event that is currently unfolding in New York City. According to reports, citizens in the vicinity of Central Park have suddenly and inexplicably begun seizing up just before killing themselves by whatever means are at their disposal. As the phenomena begins to spread and talk of terrorism fills the airwaves, Elliot, his wife, Alma (Zooey Deschanel), their friend Julian (John Leguizamo), and his daughter, Jess (Ashlyn Sanchez), board a train bound for the presumed safety of the country. When the train screeches to a halt before arriving at its final destination, however, the frightened passengers are forced to fend for themselves as each consecutive news report paints an increasingly grim picture of the situation in more urbanized areas. Theories abound on what could be causing the unexplainable rash of suicides, but the only thing that everyone seems to agree on is that it's some kind of airborne contagion that is carried in the wind. It would appear that humankind's reign on planet Earth has come to an end, but perhaps if this small band of survivors can find a safe place to lie low until this all blows over, all hope for survival of the species might not be lost just yet.
Note to M. Night Shyamalan: No matter which angle you shoot it from, a mild summer breeze is not terrifying. A hurricane, absolutely; a tornado, most certainly; a typhoon, indubitably. Hell, even an especially large dust devil might prove capable of jangling the nerves of some particularly sensitive anemophobics. Unfortunately (at least for Shyamalan), the continuous scenes of trees ominously rustling in the breeze or fields of grass churning like a menacing green ocean throughout The Happening mostly elicit feelings of tranquility and inner peace rather than paralyzing fear and insurmountable dread -- the kiss of death for a film attempting to paint nature as the ultimate enemy of humankind. But Shyamalan's failure to make gusts of wind blow fear into the hearts of moviegoers isn't the only reason why The Happening fails to click as an effective horror film; weak direction of actors, a meandering screenplay, and a particularly anemic ending all add up to a misfire that -- despite an admittedly original premise and a promise to ramp up the gruesome imagery -- largely lacks any real sense of tension or danger. Sadly, since the director fails to ratchet up the levels of intensity any higher than in his previous films, the widely touted fact that this is his first R-rated film feels like a gimmicky (and somewhat misleading) ploy to convince moviegoers that Shyamalan has finally taken off the kid gloves, as opposed to a sincere attempt to grow as a filmmaker or branch out into more challenging and mature themes. (89 mins.)
My Rating: *1/2